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‘Exceptional’ Film London Jarman award nominees range from Algerian mountains to east London roads

Six-strong, ‘rich and diverse’ shortlist announced for the £10,000 prize well-known for spotting rising stars of British art

I Heart Willie review – public-domain slasher turns Mickey Mouse into slicer-and-dicer

A buff, bloodthirsty mouse-man terrorises Mexican teens in the latest horror schlock made from newly expired copyright

The Phoenician Scheme is fantasy. It is also a remarkable engagement with the real-life conflict in the Middle East

Sharp edges of bitter history keep jutting through Wes Anderson’s whimsical intrigues that turn international tragedy into light comedy

A Sip of Irish review – knocking it back around the world in the diaspora of drink

Producer-director Frank Mannion follows his cordial guide to champagne with a cheerful celebration of beloved tipples of Irish origin

The Last Journey review – Sweden’s Ant and Dec hit the road with octogenarian dad

In this moving and funny documentary, Swedish TV presenters Filip Hammar and Fredrik Wikingsson try to rekindle Filip’s father’s zest for life on a road trip to France

Al Pacino becomes first film star to meet Pope Leo XIV

The actor, who is in Italy for a film about the Maserati car moguls, had an official audience with the pope alongside the film’s producer

Red Path review – Tunisian drama tells traumatic story of Islamic State’s horrific cruelty

Based on the true story of the brutal murder of a teenage shepherd, Lotfi Achour’s sombre film honestly attempts to encompass the unbearable grief suffered by the family

My unexpected Pride icon: as a bullied teenager, I found safety in slasher films

Watching mild-mannered schoolgirls overcome serial killers such as Freddy Krueger and emerge as survivors spoke to my younger self in a way no other films could

Last Resort review – Jon Foo’s former soldier kicks try-hard butt in Die Hard knock-off

Foo has to rescue his family from some very, very bad guys in this formulaic and fun-lacking man-on-a-mission thriller

‘Always something I can watch’: why Spotlight is my feelgood movie

The latest in our series of writers drawing attention to their mood-lifting favourites is a robustly made Oscar winner from 2015

Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance

Drag is a tool of self-expression and of protest in this kaleidoscopic portrait of the city’s vibrant underground art

The Triptych of Mondongo review – one part art documentary, two parts directorial megalomania

What begins as a portrait of Argentinian art collective Mondongo snowballs into Mariano Llinás’s infuriatingly brilliant farrago of colour, conflict and existential crisis

My unexpected Pride icon: Jurassic Park’s strutting, swaggering T rex is pure camp

From Jeff Goldblum’s unbuttoned shirt to the dilophosaurus wobbling her wattles, the film is an enduring queer staple

‘People didn’t like women in space’: how Sally Ride made history and paid the price

Ride was the first US woman in space – but a National Geographic documentary looks at how she was forced to hide her queerness to succeed

Malala and Kiran faced violence, threats and shame. Now their fathers want ‘all men to stand with women’

Defying threats and ostracism, they both fought fiercely for their daughters’ rights. Now a film features them discussing fatherhood, courage, gender justice and strong girls

Post navigation

← Older posts

  • ‘Exceptional’ Film London Jarman award nominees range from Algerian mountains to east London roads
  • I Heart Willie review – public-domain slasher turns Mickey Mouse into slicer-and-dicer
  • The Phoenician Scheme is fantasy. It is also a remarkable engagement with the real-life conflict in the Middle East
  • A Sip of Irish review – knocking it back around the world in the diaspora of drink
  • The Last Journey review – Sweden’s Ant and Dec hit the road with octogenarian dad
  • Al Pacino becomes first film star to meet Pope Leo XIV
  • My unexpected Pride icon: as a bullied teenager, I found safety in slasher films
  • Red Path review – Tunisian drama tells traumatic story of Islamic State’s horrific cruelty
  • Last Resort review – Jon Foo’s former soldier kicks try-hard butt in Die Hard knock-off
  • ‘Always something I can watch’: why Spotlight is my feelgood movie
  • Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance
  • The Triptych of Mondongo review – one part art documentary, two parts directorial megalomania
  • My unexpected Pride icon: Jurassic Park’s strutting, swaggering T rex is pure camp
  • ‘People didn’t like women in space’: how Sally Ride made history and paid the price
  • Malala and Kiran faced violence, threats and shame. Now their fathers want ‘all men to stand with women’
  • Dumb and Dumber To or Idiocracy? What to watch instead of Trump’s big boy birthday party
  • ‘The city is being hollowed out’: the billionaire landlord locked in a David v Goliath battle for London’s West End
  • How to Train Your Dragon to Neil Young: your complete entertainment guide to the week ahead
  • ‘The risk was worth it’: All Fours author Miranda July on sex, power and giving women permission to blow up their lives
  • Dangerous Animals review – serial killer meets shark movie in this formulaic fizzer
  • Heroic indifference: was Thunderbolts* always doomed at the box office?
  • My unexpected Pride icon: Free Willy helped me see the radical power of coming out
  • Post your questions for Eric Idle
  • Echo Valley to Joker: Folie à Deux – the seven best films to watch on TV this week
  • ‘Completely captivated’: the rousing return of musicals’ dream ballets
  • Liza: A Truly Terrific Absolutely True Story review – dazzling glamour and true grit
  • ‘I’m not The Rock, right?’ Julianne Moore on action movies, appropriate parenting and twinning with Tilda Swinton
  • Mel Brooks to reprise role in Spaceballs sequel
  • Taina Elg obituary
  • ‘It was simply mind-blowing’: readers remember seeing Star Wars for the first time

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