Nick James 

The Score review – Johnny Flynn-soundtracked musical heist comedy doesn’t add up

Flynn and Will Poulter play small-time crooks in Malachi Smyth’s slow-moving mishmash of song and painful banter
  
  

Johnny Flynn in The Score.
Johnny Flynn in The Score. Photograph: Rob Baker Ashton

This slow-burn crime film-cum-musical has two misfit minor hoodlums, Mikey (Johnny Flynn) and Troy (Will Poulter), arrive at a remote cafe where a deal with gangsters is to go down. While we wait for the double-cross signalled early on, sweet but impulsive thug Troy and coy waitress Gloria (Naomi Ackie) nurture a quick romance against a background of Mikey’s muttered barracking.

Fraught with anxiety about whether or not each character is clever enough to talk, the film’s excruciating banter (courtesy of writer-director Malachi Smyth) helps the time drag, as do cameos from the cafe’s mostly eccentric clientele. Electro-folk song interludes (written by Flynn) offer images about rivers and such that might better suit another film – one that doesn’t feel as if it’s waiting for darkness so that it can finally become a noir.

Watch a trailer for The Score.
 

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