Audiences at a new season of films at the British Film Institute in London have been cautioned the titles – including two James Bond movies – “will cause offence today”.

A blanket trigger warning has been placed over all movies being presented at a tribute to the work of British composer John Barry, the man behind the scores for many 007 films.

The disclaimer warns that all the films in John Barry: Soundtracking Bond and Beyond “contain language, images or other content that reflect views prevalent in its time, but will cause offence today (as they did then).

“The titles are included here for historical, cultural or aesthetic reasons and these views are in no way endorsed by the BFI or its partners.”

An additional warning has also been added to the programme details for 1967’s You Only Live Twice, declaring that it “contains outdated racial stereotypes”.

The film stars Sean Connery as Bond, facing off against Donald Pleasence’s Blofeld, and features a scene in which Connery tries to pass as Japanese.

Goldfinger also features in the season, with the programme notes suggesting that Barry’s “loudly swinging soundtrack” matches “cartoonish sexiness”.

The 1964 film includes a scene in which Connery’s Bond apparently forces himself on Honor Blackman’s Pussy Galore in a hay barn. In a 1959 letter concerning the novel from which the film was adapted, Ian Fleming explains that this “laying on of hands” from “the right man” was all which was required to “cure” the lesbian character of “her psycho-pathological malady”.

Meanwhile, the portrayal of Goldfinger’s Korean henchman Oddjob, who has a cleft palate, has long been cited by many as perpetuating a stereotype equating disability with villainy.

Other titles in the Barry season covered by the trigger warning include Michael Caine thrillers Deadfall and The Ipcress File, the surreal Elizabeth Taylor and Richard Burton drama Boom and Judi Dench kitchen sink drama Four in the Morning.

Peter Sellers crime classic Never Let Go has a specific additional warning alerting viewers to “racist attitudes and language”, as does the Jon Voight, Dustin Hoffman film Midnight Cowboy. John Schlesinger’s drama about the friendship between a conman and a sex worker adds that it includes “homophobic language and sexual violence”.

Meanwhile the 1968 Richard Lester film Petulia, with Julie Christie as a young woman abused by her husband, played by Richard Chamberlain, comes with an individual warning for “scenes of domestic violence”.

A spokesperson for the BFI told the Guardian:

“As a cultural charity with responsibility for the preservation of film and moving image work and presenting it to audiences, we continuously face and deal with challenges presented by the history of film and television programmes and how they reflect views prevalent to their time.

“Whilst we have a responsibility to preserve films as close to their contemporaneous accuracy as possible, even where they contain language or depiction which we categorically reject, we also have a responsibility in how we present them to our audiences. The trigger warnings/content warnings that we provide in all of our exhibition spaces and online platforms act as guidance that a film or work reflects views of the time in which they were made and which may cause offence.

“We continuously review our processes around the presentation of film and moving image work to make improvements and support audience trust. We listen to customer feedback and also continue to work closely with the BBFC and their classifications to give appropriate guidance. This work is by its nature on-going.”

A 2021 survey conducted by the British Board of Film Classification found that almost two-thirds of teenagers polled supported trigger warnings on films which might negatively affect their mental health.

The research showed that anxiety (50%), stress (38%) and depression (34%) were the key issues of concern for the 13-18-year-olds, followed by body image issues (30%), suicide (20%) and self-harm (20%).

Yet 68% of the teenagers said they found positive on-screen portrayals were helpful in expunging stigma, while nearly half said they found such portrayals educational.

Modern day reprints of Fleming’s Bond novels now come with a disclaimer stating: “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace.

“A number of updates have been made in this edition, while keeping as close as possible to the original text and the period in which it is set.”

• This article was amended on 4 January 2024. The character of Oddjob was in the film Goldfinger, not You Only Live Twice; and it was Richard Chamberlain, not George C Scott, who played the abusive husband in Petulia.