Wendy Ide 

The Watched (AKA The Watchers) review – Ishana Shyamalan’s debut shares her father’s talents and flaws

The daughter of M Night directs Dakota Fanning in a suitably eerie folk horror, but clunky exposition and clumsy twists lurk in them there woods
  
  

Georgina Campbell and Dakota Fanning walking through dense woods, looking suitably worried
Georgina Campbell and Dakota Fanning in The Watched (titled The Watchers in the US). Photograph: Warner Bros Pictures

A cursed forest in the west of Ireland is the setting for the feature-film-directing debut of Ishana Shyamalan, the daughter of M Night. Dakota Fanning stars as a young American who finds herself trapped, alongside a band of desperate strangers, deep in the woods inhabited by ancient, vengeful entities that view the humans as light entertainment. On the evidence of this uneven folk horror, Shyamalan shares with her father a knack for crafting atmosphere; the sound design, in particular, is creepily oppressive, all cracking inhuman bones and scratching unseen claws. But she also demonstrates the Shyamalan family trait of leaning on inelegant chunks of exposition and blunt weapon third-act plot ambushes.

• In UK and Irish cinemas now

Watch a trailer for The Watched.
 

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