Wendy Ide 

Architecton review – poetic study of humankind’s bricks-and-mortar impact on the Earth

Victor Kossakovsky’s follow-up to Gunda is a gorgeously shot reverie about our use of materials such as stone and concrete
  
  

Caretaker Abdul Nabi Al Afi dwarfed by the Roman Baalbek megalith in Lebanon, the second largest cut stone in the world.
Caretaker Abdul Nabi Al Afi dwarfed by the Roman Baalbek megalith in Lebanon, the second largest cut stone in the world. Photograph: Ben Bernhard/ BVK © 2024

The granite face of a quarry shatters into boulders, cascading in mesmerising slow motion; a man with a wheelbarrow potters around the Roman ruins at Baalbek in Lebanon; bulldozers and diggers pick over the shattered fragments of a bombed-out Ukrainian housing complex; an Italian architect commissions a stone circle for his garden, hovering fretfully as the landscapers toil in the snow to finish the design feature.

The latest film from Victor Kossakovsky, who documented the lives of farm animals in the sublime Gunda, Architecton is a gorgeously photographed poetic reverie on the subject of stone and concrete, permanence and profligate waste. It’s a gentler documentary, but calls to mind Behemoth, the extraordinary film about industrialisation in China by the artist and film-maker Zhao Liang. Both are works of striking visual poetry that ask difficult questions about humankind’s impact on the planet.

  • In UK and Irish cinemas

Watch a trailer for Architecton.
 

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