BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts

Disaster movie: will Trump’s film tariffs sink Australia’s film industry?

Production of US films shot on Gold Coast under threat from president who views industry as ‘National Security threat’

Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists

Comments at Cannes come after US president’s social media posts against Bruce Springsteen and Taylor Swift

Final Destination to Long Bright River: a complete guide to this week’s entertainment

Death’s back to settle more accounts and Amanda Seyfried’s a cop on the hunt for a killer – it’s your cultural primer for the next seven days, whether you’re taking your seat or resting your feet ...

Gérard Depardieu’s conviction was a historic moment for #MeToo in France

The age of impunity is over for male violence against women, say campaigners after the actor was found guilty of sexual assault

The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut

Imogen Poots takes the lead in Stewart’s choppy but compelling adaptation of Lidia Yuknavitch’s memoir of abuse and sexual uncertainty

Bono: Stories of Surrender review – megastar tries out humility in likable one-man show

The U2 singer’s solo stage appearance sees him reflect on his anguished family past and have a decent go at being an ordinary Joe

Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars

Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler have little to work with in this disappointing dud from the Hereditary and Midsommar director

The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?

In this week’s newsletter: In retiring his messianic action hero schtick, a return to challenging, messy roles could lead to a late-era flowering of his career

‘A push towards the conservative’: Cannes tries to ban oversized outfits and naked dressing

Festival’s rules designed to protect ‘decency’ and seating arrangements stir controversy among those who read them

The Little Sister review – a discerning drama of queer Muslim coming-of-age

Hafsia Herzi manages sexuality with confidence in her first Palme d’Or competition film, featuring an affecting lead performance from newcomer Nadia Melliti

Jeremy Irons is perfectly cast as the sea – but who should play the clouds?

The raging beauty of the ocean has clearly found its perfect embodiment. Now we need to decide who will play the other elemental forces

Kristen Stewart says Donald Trump’s effect on the film industry is ‘terrifying’

The actor who is making her directorial debut with The Chronology of Water at the Cannes film festival says ‘we should expect the worst and fight for the best’

New ‘historically accurate’ digital replica will allow films to be set within Auschwitz

The Auschwitz Memorial has created the model ‘to provide the industry with credible resources’, but it raises ethical questions over what type of films could be set there

Post navigation

← Older posts

  • Die My Love review – Jennifer Lawrence excels in intensely sensual study of a woman in meltdown
  • Disaster movie: will Trump’s film tariffs sink Australia’s film industry?
  • Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard
  • ‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists
  • Final Destination to Long Bright River: a complete guide to this week’s entertainment
  • Gérard Depardieu’s conviction was a historic moment for #MeToo in France
  • The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
  • Bono: Stories of Surrender review – megastar tries out humility in likable one-man show
  • Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars
  • The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?
  • ‘A push towards the conservative’: Cannes tries to ban oversized outfits and naked dressing
  • The Little Sister review – a discerning drama of queer Muslim coming-of-age
  • Jeremy Irons is perfectly cast as the sea – but who should play the clouds?
  • Kristen Stewart says Donald Trump’s effect on the film industry is ‘terrifying’
  • New ‘historically accurate’ digital replica will allow films to be set within Auschwitz
  • Charles Strouse, Tony award-winning composer of Annie, dies aged 96
  • James Gunn’s new Superman is more human than alien god – but can he still inspire awe?
  • Show me the tummy! Tom Cruise doesn’t need sleep, help or clothes in Mission: Impossible
  • ‘Men run away from vulnerability’: The Weeknd on blinding success, panic attacks and why The Idol was ‘half-baked’
  • Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video
  • How the world of work has lured Barbie out of high heels
  • Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality
  • Morris the alligator, known for Happy Gilmore and other films, dies around age 80
  • The 20 best US remakes of foreign language films – ranked!
  • Joe Don Baker, tough-guy actor from Walking Tall and Bond films, dies aged 89
  • ‘We have to stop what’s going on, it’s insane’: Robert De Niro on battling age, apathy and Trump
  • Ukrainian director Sergei Loznitsa decries ‘nightmare’ of Putin-Trump alliance
  • Two Prosecutors review – a petrifying portrait of Stalinist insurrection
  • Mission: Impossible – The Final Reckoning review – world-saving Tom Cruise signs off with wildly entertaining adventure
  • ‘We need to do something’: the company releasing Palestinian films no one else will

Contact www.brillfilms.com   Terms of Use