All the Money in the World

Dir. Ridley Scott
Veteran Ridley Scott took his place in the history of #MeToo by firing Kevin Spacey from this film and replacing him with Christopher Plummer, who plays ageing oil tycoon J Paul Getty in this true story from the 70s. Getty refused to pay a kidnappers’ ransom for his abducted grandson and instead hired a former CIA tough guy (played here by Mark Wahlberg) to get him free. Read the full review.
• Released on 5 January in the UK; out in US.

Darkest Hour

Dir. Joe Wright
Gary Oldman turns in a grandstanding performance as Winston Churchill in this handsomely mounted movie, which brings a House of Cards tone to a familiar story. Winston’s back – and the nation’s back – is up against the wall in 1940, and he’s going it alone with the Nazis poised across the Channel. Kristin Scott Thomas is his perennially exasperated wife Clemmie, and Stephen Dillane and Ronald Pickup play Lord Halifax and Neville Chamberlain, the two appeaser fainthearts who still plan on selling out and making a deal. Read the full review.
• 12 January UK; out in US; 11 January Australia.

Three Billboards Outside Ebbing, Missouri

Dir. Martin McDonagh
Violent, jagged, black-comic and often brilliant, this new movie from Martin McDonagh features a great performance from Frances McDormand, her best since Fargo. She plays Mildred Hayes, a tough-as-nails woman who is infuriated by the town police chief’s failure to find the man who raped and murdered her daughter. So she rents out three billboards to demand answers and shame the indolent, racist cops into action. Read the full review.
• 12 January UK; out in US; 1 January Australia.

Coco

Dirs. Lee Unkrich, Adrian Molina
The latest much-liked animation from Pixar shows a determination to move away from the white-bread world of middle America and move into other cultural contexts. Coco takes its inspiration from Mexico’s Day of the Dead. A lonely 12-year-old boy who longs to make music – frowned upon in his family – plans to enter the domain of the dead to visit his great-great-great grandfather, a famous musician, who will help him realise his dreams. Read the full review.
• 19 January UK; out in US and Australia.

The Post

Dir. Steven Spielberg
Steven Spielberg brings his massive prestige to bear on the issue of fake news and real values in journalism and politics with this handsome, heartfelt picture about the Washington Post and its battle in 1971 to publish the Pentagon Papers: documents that proved the government was hiding the truth about Vietnam. Tom Hanks is editor Ben Bradlee and Meryl Streep is the paper’s queenly, steely owner Katharine Graham. Rousing stuff. Read the full review.
• 19 January UK; out in US.

Downsizing

Dir. Alexander Payne
Opinions vary about this satirical fantasy from Alexander Payne, a sci-fi daymare about a world in which it is scientifically possible to reduce yourself to the size of a matchbox. It’s a lifestyle-career option that saves you money because you don’t consume as much and it could save the planet if everyone did it. Married couple Matt Damon and Kristen Wiig decide to take the plunge, but then a commitment-related glitch causes disaster. Does the film disappear too deeply down the rabbit hole – or is it genius? Read the full review.
• 24 January UK; out in US and Australia.

Last Flag Flying

Dir. Richard Linklater
Richard Linklater, renowned for the lapsed-time masterpiece Boyhood, now brings out a more conventional movie: a kind of regretful Middleagemanhood, loosely updated from the 1973 Hal Ashby classic The Last Detail. The three naval officers from that movie are now imagined in the present day, played by Laurence Fishburne, Steve Carell and Bryan Cranston. They are brought together because the son of one has been killed in action; his dad is bringing the body home and wants his old buddies with him. Read the full review.
• 26 January UK; out in US.

The Final Year

Documentary maker Greg Barker became a sympathetically embedded journalist for this behind-the-scenes study of 90 days in the final year of the Obama White House. The result is a deferential and high-minded tribute with an unintentionally poignant quality, as those either side of the camera are placidly unaware that this administration’s achievements were about to be wrecked. The irony of the title is intentional, however.
• 19 January US.

Early Man

Dir. Nick Park
Here is the new Aardman Animation directed by Nick Park and scripted by the veteran satirists and comedy writers John O’Farrell and Mark Burton. It is set in the era of woolly mammoths and cavemen. Eddie Redmayne voices our hero Dug, who has a girlfriend with a vaguely biscuity name: this is Hognob, voiced by Maisie Williams. Our paleolithic power couple prepare to unite the tribe against an evil predator, Lord Nooth, voiced, perhaps inevitably, by Tom Hiddleston.
• 26 January UK; 16 February US; 29 March Australia.

Journey’s End

Dir. Saul Dibb
For the 100th anniversary of the end of the first world war, here is a new movie adaptation of the classic antiwar play by RC Sheriff, set in the trenches in 1918. The story takes place in the British officers’ dugout in March, but also directly dramatises those events that in the theatre are left off stage: the action is just before the Germans’ spring offensive, whose purpose was to crush the British infantry and drive them into the sea. Sam Claflin plays Captain Stanhope, a boiling mass of tension and trauma. Read the full review.
• 2 February UK and US.

The More You Ignore Me

Dir. Keith English
Former psychiatric nurse and comedy legend Jo Brand has scripted this movie, based on her much-admired 2010 novel. Sheridan Smith plays a young mother with mental-health issues in remote rural England in the 1980s; she conceives an obsession with the local weatherman and is admitted to a psychiatric facility, leaving her daughter to struggle with conflicted emotions – before coming up with a plan to heal her family.
• 2 February UK.

Phantom Thread

Dir. Paul Thomas Anderson
Daniel Day-Lewis makes his final bow with this almost outrageously charismatic and theatrical performance. He plays Reynolds Woodcock, a 1950s couturier and fashion designer loosely based on Norman Hartnell and Hardy Amies. At the height of a midlife creative crisis, Woodcock becomes obsessed with a lonely German waitress and embarks on an amour fou with her as his model and lover, an obsession mysteriously connected with his own creativity. Read the full review.
• 2 February UK; out in US; 1 February Australia.

Roman J Israel, Esq.

Dir. Dan Gilroy
A character-led legal drama, this stars Denzel Washington as Roman, a shy and self-effacing backroom guy who has been the secret heart, soul and ethical driving force of a small firm of lawyers specialising in championing the underdog. But when his partner dies, he must step up and find out what corners the firm has been cutting to stay in business. An obvious must for Washington fans. Read the full review.
• 2 February UK; out in US.

Loveless

Dir. Andrei Zvyagintsev
This new film from Russian film-maker Andrei Zvyagintsev is a stark, mysterious and terrifying story of spiritual catastrophe: a drama with the ostensible form of a procedural crime thriller. A married couple are splitting up, having found new partners and grown to detest each other. But when their 12-year-old disappears, there is a massive police search, and the estranged pair realise they have to work together. But is this possible in such a grim environment? A gripping, terrifying movie. Read the full review.
• 9 February UK.

Fifty Shades Freed

Dir. James Foley
And so the heavily brocaded curtain rises on the third and final naughty instalment of the Fifty Shades “trilogy”, possibly causing red faces among those who once got overexcited by the first film’s supposed zeitgeistiness and liberatedness. Will this movie be the one to disprove the maxim that all threequels are terrible? Jamie Dornan and Dakota Johnson are back as billionaire perv and BDSM enthusiast Christian Grey and his love and now lady wife Anastasia Steele. How are they keeping things fresh in the bedroom now they’re married? Don’t ask.
• 9 February UK and US; 8 February Australia.

The Mercy

Dir. James Marsh
James Marsh directs this poignant and stranger-than-fiction true story of inexperienced sailing enthusiast Donald Crowhurst, who entered a round-the-world yacht race in the hope of winning a cash prize but soon got into terrible difficulties at sea. Traumatised by danger and mortified at the shame and financial ruin in admitting failure, he instead reported false positions to make it look as if he was winning. Colin Firth plays the unhappy Crowhurst.
• 9 February UK; 8 February Australia.

The 15:17 to Paris

Dir. Clint Eastwood
The indefatigable Clint Eastwood directs this gung-ho action movie based on the attempted Thalys train attack in 2015, when an Islamist terrorist attempted to open fire on a crowded French train and was subdued by a number of people, chief among them three American nationals (two of whom were off-duty soldiers), Spencer Stone, Anthony Sadler and Alek Skarlatos – who will be playing themselves.
• 9 February UK and US.

The Shape of Water

Dir. Guillermo del Toro
Guillermo del Toro may have created his masterpiece with this strange, sad, exotic and dreamily wonderful fantasy. It is set in Baltimore in the early 60s, and shy Elisa, played by Sally Hawkins, lives in an apartment above an old-fashioned movie theatre and works as a cleaner in a top-level government science facility that has discovered a mysterious sea creature and imprisoned it in conditions of the gravest secrecy. But Elisa discovers she can communicate with it. Read the full review.
• 16 February UK; out in US; 25 January Australia.

Journeyman

Dir. Paddy Considine
Paddy Considine presents his second feature as director, in which he also plays a boxing champion who has to face tough choices when he takes some terrible blows to the head. Jodie Whittaker is outstanding as his caring, troubled wife. Their scenes together are the very best of the film: intimately painful, agonising, moving and scary. Read the full review.
• 16 February UK.

Lady Bird

Dir. Greta Gerwig
Writer-director Greta Gerwig now has the honour and the burden of having the best reviewed film since records began – according to Rotten Tomatoes. It’s been getting raves everywhere it’s played. It’s a coming-of-age story starring Saoirse Ronan as a high-school student in California in 2002, Christine “Lady Bird” McPherson, who longs to escape her provincial background and various stultifying and mortifying romantic situations. Read the full review.
• 16 February UK; out in US; 15 February Australia.

Black Panther

Dir. Ryan Coogler
Marvel’s reign as chief purveyor of superheroes to the masses continues unchallenged, and this is one of its most keenly anticipated new movies: Black Panther, starring Chadwick Boseman as the ruler of the fictional African nation of “Wakanda”, who is also an Avenger with superpowers. He faces a threat at home that may well escalate to a global catastrophe.
• 16 February UK and US; 15 February Australia.

I, Tonya

Dir. Craig Gillespie
For those who have never got over Will Ferrell’s performance as Chazz Michael Michaels in the classic Blades of Glory, here is another dark tale from the world of competitive ice-skating – this time true. Margot Robbie plays skating badass Tonya Harding who, with her ex-husband, hired someone to break the leg of a competitor with a hammer. It’s played as a black comedy, though it might not have seemed funny to her victim at the time. Read the full review.
• 20 February UK; out in US; 15 March Australia.

Dark River

Dir. Clio Barnard
The fiercely intelligent, visually inventive and innovative film-maker Clio Barnard returns with a tough, shrewd social-realist picture in a rural setting. Ruth Wilson plays a young woman who returns home to the family farm when she hears that her father has died. She is in fierce confrontation with her brother; he blames her for running out on the family; she is dealing with memories of abuse. Read the full review.
• 23 February UK.

Annihilation

Dir. Alex Garland
Alex Garland directs this movie, based on the award-winning novel from sci-fi author Jeff VanderMeer, the first of his Southern Reach trilogy. Natalie Portman plays Lena, a biologist and one of a team of four women who set out to explore an abandoned region known as Area X. This is a feared place associated with unexplained illness, madness and suicides. The expedition discover a spiral staircase that disappears into the ground. A terrifying quest is in prospect.
• 23 February UK and US.

Red Sparrow

Dir. Francis Lawrence
Jennifer Lawrence stars in this meaty spy thriller, based on the bestseller by former CIA agent Jason Matthews. Lawrence plays Dominika, or “Red Sparrow”, a Russian intelligence agent with the unique ability to sense people’s emotions and secrets through her synaesthesia, a perception of emotional “colour”. She is to fall in love with a CIA man, played by Joel Edgerton, and must consider whether or not to become a double agent.
• 2 March UK and US; 1 March Australia.

A Fantastic Woman

Dir. Sebastián Lelio
Chilean director Sebastián Lelio made a huge impression at last year’s Berlin film festival with this film. Daniela Vega plays Marina, a trans woman who is in a relationship with a cis man, Orlando. When Orlando falls ill and dies, his extended family treat her with suspicion and outright hostility, and Marina finds that she has to fight for her right to her own identity, grief and emotional integrity. Read the full review.
• 2 March UK; 2 February US.

You Were Never Really Here

Dir. Lynne Ramsay
The ghost of Travis Bickle haunts this nightmarish and humidly absorbing psychological drama from Lynne Ramsay, featuring an eerie, jangling musical score by Jonny Greenwood and starring a slab-like and bearded Joaquin Phoenix. He is a lonely and troubled ex-soldier who now works in shady areas of “private security” and is hired to rescue a politician’s teen daughter, who has been abducted by a sex-trafficking ring. Read the full review.
• 9 March UK; 6 April US.

Sweet Country

Dir. Warwick Thornton
Australian director Warwick Thornton has crafted a superb movie – Old Testament cinema, with an almost biblical starkness in its cruelty and mysterious beauty. It’s an outback western, set in 1920s Northern Territory, a tale of racism and brutality among the “blackfellas” and “whitefellas”, and the injustice and serfdom suffered by indigenous Australians. Read the full review.
• 9 March UK; 16 March US and Australia.

Tomb Raider

Dir. Roar Uthaug
Lara Croft is back, a positively Whovian regeneration of the role that helped make Angelina Jolie a megastar. Now it is Alicia Vikander as the boy’s own heroine, the gutsy archeologist, aristocrat and adventurer who must go on a dangerous expedition to uncover secrets known only to her late father (played by Dominic West) and which will clear the family name. She will also kick no small amount of ass.
• 16 March UK and US; 15 March Australia.

The Square

Dir. Ruben Östlund
Here is last year’s Palme d’Or winner at Cannes. Ruben Östlund, the director of Force Majeure, has now created a sprawling and daringly surreal satire. The Square turns a contemporary art museum into a city-state of bizarre, dysfunctional and Ballardian strangeness. Christian (Claes Bang) is a museum director who wants something daring and confrontational. He gets precisely that, and the whole place is on the verge of a collective nervous breakdown. Read the full review.
• 16 March UK; out in US.

Mary Magdalene

Dir. Garth Davis
It is perhaps the role Rooney Mara was born to play: a challenging portrayal of Mary Magdalene, the woman who followed Jesus, witnessed the crucifixion but became known in subsequent mythology as a fallen woman or a prostitute, something not supported by the Gospels. Joaquin Phoenix plays Jesus and Chiwetel Ejiofor is Peter.
• 16 March UK; 30 March US.

A Wrinkle in Time

Dir. Ava DuVernay
Madeleine L’Engle’s classic and much loved 1962 novel is once again adapted, this time for a film directed by Ava DuVernay. Meg is a smart girl who finds that her missing scientist father is being held captive in some remote galaxy, so she has to rescue him, with the help of three time-travelling astral adventurers: Mrs Which, played by Oprah Winfrey, Mrs Who, played by Mindy Kaling and Mrs Whatsit, played by Reese Witherspoon.
• 23 March UK; 9 March US; 22 March Australia.

Ready Player One

Dir. Steven Spielberg
The restlessly creative Steven Spielberg directs this futurist adventure based on the 2011 novel by Ernest Cline. Tye Sheridan plays Wade Owen Watts, an Oklahoma teen in 2045, when the world has become a ruin due to overpopulation and economic collapse. Their only escape is virtual reality gaming, and Wade sets out to win the game’s ultimate prize, an “Easter egg” that will grant him control of this alternate reality.
• 30 March UK and US; 29 March Australia.

Isle of Dogs

Dir. Wes Anderson
Wes Anderson returns to the world of animation and stop-motion with which he reinvented Roald Dahl’s Fantastic Mr Fox. Five dogs are quarantined on a special remote island in the Japan of the future, due to a disease called “canine flu”. They are voiced by Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum and Bob Balaban. They are miserable in their world of imprisonment until a boy shows up looking for his dog, and they agree to help.
• 30 March UK; 23 March US.

Wonderstruck

Dir. Todd Haynes
Todd Haynes’s dreamy YA adventure is adapted by Brian Selznick from his own novel of the same name. It is a double-stranded narrative, two stories in different historical times about hearing-impaired kids who are lonely, unhappy and run away from home, heading for the bright lights of the big city in search of meaning and answers. A boy in 1970s Michigan discovers an old book that sets him off on a journey to New York; back in the 1920s, a girl is obsessed with a movie star, played by Julianne Moore. The two destinies intertwine. Read the full review.
• 6 April UK; out in US.

120 Beats Per Minute

Dir. Robin Campillo
Screenwriter and film-maker Robin Campillo has made a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement that demanded immediate, large-scale research into Aids. The movie compellingly combines elegy, tragedy, urgency and a defiant euphoria. Long before the invention of the term “woke”, the ACT UP goal was to rouse the gay community from fatalism and torpor – and strike back against the hostile complacency of the political establishment and Big Pharma. Read the full review.
• 6 April UK.

The New Mutants

Dir. Josh Boone
The New Mutants is a superhero-horror film based on the Marvel Comics superheroes of the same name. Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Henry Zaga and Blu Hunt play Wolfsbane, Magik, Cannonball, Sunspot and Mirage – the Mutants who are held in a secure facility and must fight to save themselves.
• 11 April UK; 13 April US; 12 April Australia.

The Children Act

Dir. Richard Eyre
This high-minded and rather Shavian drama is an adaptation of the novel by Ian McEwan. Emma Thompson gives an elegant performance as a hard-working and conscientious judge who must rule in the painful, controversial case of Jehovah’s Witnesses who are refusing on religious grounds to let their sick son have a blood transfusion. It is a dilemma that is to have profound personal consequences for her.
• 13 April UK.

Avengers: Infinity War

Dirs. Joe Russo, Anthony Russo
Fans have had their minds well and truly blown by the trailer to the new Marvel film, in which the Avengers team up with the Guardians of the Galaxy to tackle the evil Thanos, who is trying to steal the Infinity Stones that encode the very essence of existence itself. Will this giant ensemble prove to be an overload – or another giant leap forward in superhero excitement?
• 27 April UK; 4 May US; 25 April Australia.

Beast

Dir. Michael Pearce
A disturbing British psychological drama-thriller, inspired by the Beast of Jersey case – the real-life serial sex attacker who was at large in the island in the 1960s. Jessie Buckley plays Moll, a delicate young woman who falls in love with Pascal, a truculent, sexy local guy played by Johnny Flynn. Being with Pascal is an act of defiance for Moll – but could he be the Beast who terrorising everyone? Read the full review.
• 27 April UK.