Wendy Ide 

Rustin review – Colman Domingo lifts dutiful civil rights biopic

Despite a captivating central performance, Bayard Rustin’s story doesn’t quite leap off the screen in George C Wolfe’s stolid follow-up to Ma Rainey’s Black Bottom
  
  

Colman Domingo, right, as Bayard Rustin, with Glynn Turman as A Philip Randolph.
Colman Domingo, right, as Bayard Rustin, with Glynn Turman as A Philip Randolph. Netflix Photograph: David Lee/Netflix

This biopic of the charismatic gay civil rights activist Bayard Rustin (1912-87), one of the key figures behind the 1963 March on Washington, is a great deal more conventional and conservative in approach than its subject ever was. The follow-up to Ma Rainey’s Black Bottom by director George C Wolfe, Rustin is solid, slightly stagey film-making that is elevated by a thrillingly dynamic central performance from the versatile Colman Domingo. A skittering jazz score adds energy; the brisk editing does its best to keep the story moving. Even so, this is more of a dutiful plod through the facts than the kind of film that makes history come alive.

Watch a trailer for Rustin.
 

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