Disaster movie: will Trump’s film tariffs sink Australia’s film industry?

Production of US films shot on Gold Coast under threat from president who views industry as ‘National Security threat’

Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists

Comments at Cannes come after US president’s social media posts against Bruce Springsteen and Taylor Swift

Final Destination to Long Bright River: a complete guide to this week’s entertainment

Death’s back to settle more accounts and Amanda Seyfried’s a cop on the hunt for a killer – it’s your cultural primer for the next seven days, whether you’re taking your seat or resting your feet ...

Gérard Depardieu’s conviction was a historic moment for #MeToo in France

The age of impunity is over for male violence against women, say campaigners after the actor was found guilty of sexual assault

The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut

Imogen Poots takes the lead in Stewart’s choppy but compelling adaptation of Lidia Yuknavitch’s memoir of abuse and sexual uncertainty

Bono: Stories of Surrender review – megastar tries out humility in likable one-man show

The U2 singer’s solo stage appearance sees him reflect on his anguished family past and have a decent go at being an ordinary Joe

Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars

Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler have little to work with in this disappointing dud from the Hereditary and Midsommar director

The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?

In this week’s newsletter: In retiring his messianic action hero schtick, a return to challenging, messy roles could lead to a late-era flowering of his career

‘A push towards the conservative’: Cannes tries to ban oversized outfits and naked dressing

Festival’s rules designed to protect ‘decency’ and seating arrangements stir controversy among those who read them

The Little Sister review – a discerning drama of queer Muslim coming-of-age

Hafsia Herzi manages sexuality with confidence in her first Palme d’Or competition film, featuring an affecting lead performance from newcomer Nadia Melliti

Jeremy Irons is perfectly cast as the sea – but who should play the clouds?

The raging beauty of the ocean has clearly found its perfect embodiment. Now we need to decide who will play the other elemental forces