Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident
Panahi, long censored and previously imprisoned in his home country, took top prize as Sentimental Value and The Secret Agent also honoured
‘A case study on psychosis’: men on why Tim Robinson’s Friendship feels a little too real
‘I was so incredibly uncomfortable,’ one man said of watching the new cringe comedy starring Robinson and Paul Rudd
Hush over Hollywood: why has it become so hard to make films in Los Angeles?
The drop in productions is causing alarm. Can Tinseltown halt the exodus and reclaim its spot as the home of movie-making?
Braveheart at 30: Mel Gibson’s gory, hokey Oscar winner plays like a biblical epic
The 1995 best picture winner is less interested in historical fact and more in rousing fantasy and makes for a telling portrait of its troubled maker
‘They first come for great acts of culture’: Cate Blanchett sets up grant for displaced film-makers
Actor and UN refugee ambassador delivers warning on authoritarian regimes as first five film-makers announced for funding
From Mission: Impossible to Stereolab: your complete entertainment guide to the week ahead
Tom Cruise’s all-action spy bows out in a spectacular franchise finale, while the leftfield Anglo-French pop group return after 15 year
Rust armorer released after completing prison sentence in fatal film set shooting
Hannah Gutierrez-Reed paroled after 18 months from facility in New Mexico to her home in Bullhead City, Arizona
Mountainhead review – tech bros face off in Jesse Armstrong’s post-Succession uber-wealth satire
Weapons-grade zingers come thick and fast in this chamber piece about four plutocrats on a weekend in a lodge that goes awry when the planet descends into chaos
The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie
Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery
Endgame ennui: are Marvel’s end-of-credits scenes still worth the wait?
They used to tease the future. Now, the movie-maker’s post-credits sequences are mostly cryptic cameos and empty gestures. Perhaps we just shouldn’t bother
The Young Mother’s Home review – outstanding return to form for the Dardenne brothers
Teen mums are taught how to take care of their babies or prepare them for adoption amid drug addiction, mental illness and family conflict in this poignant, compassionate work of unforced social realism
‘Revelatory, magnetic, unknown’: how Frank Dillane became a star at Cannes
With a breakout performance in Urchin, the actor has emerged from cult TV fame to the cusp of major stardom – a new ‘post-alpha male’ lead to join the ranks of Paul Mescal and Josh O’Connor
Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win
In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix
Digested week: high-end hen dos, pricey hoo-has and some horny history
I miss out on Lauren Sánchez’s pre-wedding jaunt but relish a trip down a medieval crypt
‘I should really be the world champion’: Ralph Macchio on kicking it as The Karate Kid for 41 years
After putting Cobra Kai to bed after six seasons, the actor is teaming up with Jackie Chan in Karate Kid: Legends