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Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

Partir Un Jour (Leave One Day) review – foodie musical is an undercooked turkey

Dreadful songs add no flavour to dreary tale of a big-city gourmet returning to her home-cooked roots

Nonnas review – fact-based Netflix restaurant comedy is a warm surprise

Vince Vaughn plays a grieving son who decides to open an Italian eaterie with grandmothers in the kitchen in a simple but charming crowd-pleaser

Summer of 69 review – charming, if overfamiliar, teen sex comedy

Awkward teenager strikes deal with stripper played by SNL’s Chloe Fineman in moderately entertaining throwback

The Empire Strips Back review – Chewie gets jiggy in galactic burlesque parody

Humour abounds in this Star Wars-themed cabaret, as Boba Fett bumps and grinds while Han Solo and Chewbacca share a Backstreet Boys number

Freakier Friday cast and crew criticise ‘hurtful’ Asian stereotypes in 2003 film

Director Nisha Ganatra said she felt they ‘owed audiences to make it right’ in the new film

Two to One review – East Berlin cash scam capers through ruins of communism

The discovery of a cache of ostmarks, just before German reunification makes them worthless, sets off a madcap tale from Natja Brunckhorst

Monty Python and the Holy Grail at 50: a hilarious comic peak

The endlessly quoted 1975 comedy remains both a clear product of its era and a timelessly funny masterwork

Mountainhead: first trailer for Jesse Armstrong’s topical Succession follow-up

Billionaires, starring Steve Carell and Ramy Youssef, meet amid an international crisis in HBO’s of-the-moment satire

‘Aspirational in the silliest sense’: why The Lizzie McGuire Movie is my feelgood movie

The latest in our series of writers calling attention to their comfort watches is a look back at the frothy 2003 comedy

Alicia Silverstone to reprise Clueless role in sequel TV series

The actor will return for a follow-up series on Peacock rejoining the life of Cher Horowitz from the hit 1995 comedy

The Wedding Banquet review – muddled gay comedy remake plays it too straight

Fire Island director Andrew Ahn’s update of Ang Lee’s seminal 1993 film works hard to differentiate itself but it’s awkwardly stuck between serious and silly

The Penguin Lessons review – Steve Coogan seabird comedy drama tries to sell feelgood mood

Coogan does his best, but there’s a tonal mismatch here: the animal-teaches-lonely-human narrative jars with a depiction of lives in totalitarian Argentina

Chosen Family review – fluid directing by Heather Graham ballasts enjoyable romcom

Graham denounces her toxic family and begins a new relationship, before discovering her beau’s preteen daughter to be a tiny psychopath in a tutu

‘Beautifully, awfully funny’: why Withnail and I is my feelgood movie

The latest in our ongoing series of comfort movies is a pick for Bruce Robinson’s cult British comedy

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← Older posts

  • My Father’s Shadow review – subtle and intelligent coming-of-age tale set in 1993 Nigeria
  • Kevin Spacey to be celebrated at Cannes’ Better World gala
  • Revival of Bristol’s ‘forgotten’ Imax cinema revealed on the big screen
  • Jeff Goldblum looks back: ‘My brother was an interesting dude. When he died it was terrible, monumental’
  • Pillion review – 50 shades of BDSM Wallace and Gromit in brilliant Bromley biker romance
  • ‘Extreme anxiety and extreme depression’: Jennifer Lawrence says she felt ‘like an alien’ as a new mother
  • Urchin review – Harris Dickinson homelessness drama is terrific directorial debut
  • Die, My Love review – Jennifer Lawrence excels in intensely sensual study of a woman in meltdown
  • Disaster movie: will Trump’s film tariffs sink Australia’s film industry?
  • Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard
  • ‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists
  • Final Destination to Long Bright River: a complete guide to this week’s entertainment
  • Gérard Depardieu’s conviction was a historic moment for #MeToo in France
  • The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
  • Bono: Stories of Surrender review – megastar tries out humility in likable one-man show
  • Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars
  • The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?
  • ‘A push towards the conservative’: Cannes tries to ban oversized outfits and naked dressing
  • The Little Sister review – a discerning drama of queer Muslim coming-of-age
  • Jeremy Irons is perfectly cast as the sea – but who should play the clouds?
  • Kristen Stewart says Donald Trump’s effect on the film industry is ‘terrifying’
  • New ‘historically accurate’ digital replica will allow films to be set within Auschwitz
  • Charles Strouse, Tony award-winning composer of Annie, dies aged 96
  • James Gunn’s new Superman is more human than alien god – but can he still inspire awe?
  • Show me the tummy! Tom Cruise doesn’t need sleep, help or clothes in Mission: Impossible
  • ‘Men run away from vulnerability’: The Weeknd on blinding success, panic attacks and why The Idol was ‘half-baked’
  • Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video
  • How the world of work has lured Barbie out of high heels
  • Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality
  • Morris the alligator, known for Happy Gilmore and other films, dies around age 80

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