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‘Beautifully, awfully funny’: why Withnail and I is my feelgood movie

The latest in our ongoing series of comfort movies is a pick for Bruce Robinson’s cult British comedy

Julio Torres: ‘When I worked at SNL, I thought Shawn Mendes was an intern’

The comedian and absurdist on his favourite letters and colours and least favourite shapes

Ted Kotcheff, director of First Blood, Weekend at Bernie’s and Wake in Fright, dies aged 94

Prolific Canadian director also made one of the country’s first internationally successful films, The Apprenticeship of Duddy Kravitz, starring Richard Dreyfuss

Babe review – tale of the talking sheep-pig a charming relic of its time

A startling novelty 30 years ago, the film’s now antique effects and strange anti-Orwell farmyard tale feel dated, but is still a quaintly comfortable place to visit

A Minecraft Movie breaks records to become highest opening video game movie of all time

First-weekend takings of $163m in North America puts the adaptation of the wildly popular video game ahead of previous record holder The Super Mario Bros Movie

Fran the Man review – Irish football-coach mockumentary gets the fans onside

Spin off from Irish TV comedy doesn’t really raise its game for feature about plucky amateurs taking on a strong team

‘Unfailing ability to cheer me up’: why The Rebel is my feelgood movie

The next entry in our series of writers highlighting their go-to comfort watches is a look back to the 1961 Tony Hancock comedy

Four Mothers review – a put-upon writer is run ragged in Irish comedy charmer

James McArdle plays a novelist whose care-giving duties are suddenly expanded in this nicely acerbic remake of Italian hit Mid-August Lunch

First trailer for Liam Neeson’s Naked Gun reboot released

Neeson steps into the role of the bumbling detective made famous by Leslie Nielsen in the TV show and film series created by the Zucker Abrahams Zucker team

Block-busted: why homemade Minecraft movies are the real hits

The bestselling video game ever has a devoted, vocal, following. Can a faceless corporation make a successful film based on such beloved IP without involving its fanbase?

Muriel’s Wedding review – Toni Collette is outstanding in the film that brought Abba back

Brilliantly led by Collette, PJ Hogan’s 1994 story of a lovable loser was the feelgood sensation that rescued the band’s reputation – how can you resist it?

A Minecraft Movie review – building-block game franchise spin-off is rollicking if exhausting fun

Full-throttle star turns from Jack Black and Jennifer Coolidge raise laughs but don’t help the perfunctory plotting in this screen take on the game franchise

Black Cab review – Nick Frost on outstanding form in creepy taxi-driving Brit horror

Though the narrative goes the long way round, there are plenty of strong performances and good ideas to keep this journey interesting

Four Mothers review – remake of Mid-August Lunch moves to Dublin and brings out queer subtext

Irish-set remake of Italian film about a bachelor who cares for his elderly mum never quite matches the charm of the original, despite occasional shimmers

From Hollywood’s goofy stoner to serious satire: the reinvention of Seth Rogen

The former manchild’s performance as an industry suit in new series The Studio shows how far he has come in Hollywood

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  • Alpha review – Julia Ducournau’s disjointed body horror is an absolute gamma
  • Highest 2 Lowest review – Spike Lee and Denzel Washington remake Kurosawa in fine style
  • From Coogler to Cruise: the Hollywood heroes saving cinema
  • The Pitt’s breakout star Shabana Azeez loves a confronting role: ‘We want victims to be perfect’
  • ‘Cinema doesn’t ship that way’: Wes Anderson mocks Donald Trump’s film tariff plans in Cannes
  • ‘I will never stop’: Tom Cruise wants to make movies into his 100s. Why not his 1,000s?
  • Dogma 25 announced at Cannes, as directors launch ‘cultural uprising’
  • ‘Greatest teen movie ever’: why Angus, Thongs and Perfect Snogging is my feelgood movie
  • Echo of You review – expressive documentary hears from grieving life partners
  • Spring Night review – elliptical tale of Korean lovers is study of elemental passion
  • ‘There is no cure for grief’: Tim Roth on losing his son after making a film about bereavement
  • The Love That Remains review – startling tragicomic portrait of a fractured family
  • The Phoenician Scheme review – Mia Threapleton shines in Wes Anderson’s muted new confection
  • Joe Don Baker obituary
  • My Father’s Shadow review – subtle and intelligent coming-of-age tale set in 1993 Nigeria
  • Kevin Spacey to be celebrated at Cannes’ Better World gala
  • Revival of Bristol’s ‘forgotten’ Imax cinema revealed on the big screen
  • Jeff Goldblum looks back: ‘My brother was an interesting dude. When he died it was terrible, monumental’
  • Pillion review – 50 shades of BDSM Wallace and Gromit in brilliant Bromley biker romance
  • ‘Extreme anxiety and extreme depression’: Jennifer Lawrence says she felt ‘like an alien’ as a new mother
  • Urchin review – Harris Dickinson homelessness drama is terrific directorial debut
  • Die, My Love review – Jennifer Lawrence excels in intensely sensual study of a woman in meltdown
  • Disaster movie: will Trump’s film tariffs sink Australia’s film industry?
  • Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard
  • ‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists
  • Final Destination to Long Bright River: a complete guide to this week’s entertainment
  • Gérard Depardieu’s conviction was a historic moment for #MeToo in France
  • The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
  • Bono: Stories of Surrender review – megastar tries out humility in likable one-man show
  • Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars

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