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Can’t-do attitude: why the real horror of Nightbitch is weaponised incompetence

Women around me in the cinema groaned at what Amy Adams’ character had to put up with in the film – and it was nothing to do with dogs

The Shining, burritos and $5 gifts: readers’ unusual holiday traditions

Their answers are a reminder that the holidays can be whatever you want them to be

‘Kids were second to their drinking and partying’: Stephen Bogart, son of Bogie and Bacall, on his screen icon parents

What’s it like to grow up the son of Hollywood legends? Stephen Bogart, whose parents left him for six months even after his nanny dropped dead, reveals how he finally shook off the past

The Bilbaos review – soulful study of a tough guy boxer dealing with emotional baggage

Pedro Speroni’s documentary follows Iván Bilbao’s return from prison to a family full of troubles and tenderness

‘I couldn’t tell my parents I loved them’: documentary-maker Duncan Cowles on giving silent men a voice

The Scottish film-maker on bringing humour to his look at male emotional repression, being compared to Louis Theroux, and his problems with reality TV

One Mother review – poignant memoir grapples with trauma of foster care

Mickaël Bandela’s documentary reflects on the events that left him in care as a child, and the generational losses that came before

A Long Journey Home review – family pressures reach boiling point in a shocking documentary

It’s almost painful to watch this oppressive autobiographical film, pieced together from footage the director shot in her family’s Chinese home

Home Sweet Home: Where Evil Lives review – fresh take on pregnant-woman-in-peril horror

Unfolding in what looks like a single take, Thomas Sieben sends his protagonist into a house that’s haunted by historical trauma

April review – Dea Kulumbegashvili comes into her own with haunting abortion drama

Shocking violence is tempered by strange, silent sequences in a sophomore feature about an obstetrician under investigation, in which buried trauma has echoes of The Piano Teacher

‘I miss him being here’: A daddy-daughter dance inside a jail is captured in a gripping new film

The documentary, shot over years, pushes audiences to ask: who is being punished when we send fathers away?

A Life Like Any Other review – wonderfully moving look back at a mother’s resilience

Faustine Cros’s documentary revisits home videos from her childhood through fresh eyes having learned as an adult what her young self had missed

‘Sobbing in the aisles’: writers on their most memorable parent-kid film experiences

Whether a terrifying Postman Pat, a mortifying sex scene, or a brush with button-phobia, our writers report on the family viewing they will never forget

A woman brought her own snacks to Despicable Me 4. Then the police arrived

Many struggling cinemas depend on sales of pricey food and drink as ticket revenue mainly goes to film studios. But does banning outside supplies really add up, asks Stuart Heritage

Reggie Yates looks back: ‘I went from a council estate to working with the people I watched on TV’

The actor and broadcaster on how his mum kept him grounded, an awkward encounter with Sting, and why making documentaries changed him

Bye Bye Tiberias review – heartfelt memoir of Palestinian family reunion in Galilee

Hiam Abbass, AKA Marcia Roy from Succession, returns to the village she left 30 years ago to become an actor, with her daughter Lina Soualem behind the camera

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  • Die My Love review – Jennifer Lawrence excels in intensely sensual study of a woman in meltdown
  • Disaster movie: will Trump’s film tariffs sink Australia’s film industry?
  • Nouvelle Vague – Richard Linklater bends the knee to Breathless and Jean-Luc Godard
  • ‘Fight back and don’t let them win’: actor Pedro Pascal decries Trump’s attacks on artists
  • Final Destination to Long Bright River: a complete guide to this week’s entertainment
  • Gérard Depardieu’s conviction was a historic moment for #MeToo in France
  • The Chronology of Water review – Kristen Stewart makes a traumatic splash with directorial debut
  • Bono: Stories of Surrender review – megastar tries out humility in likable one-man show
  • Eddington review – Ari Aster’s tedious Covid western masks drama and mutes his stars
  • The Guide #191: After three decades, Tom Cruise is done with Mission: Impossible – so what’s next?
  • ‘A push towards the conservative’: Cannes tries to ban oversized outfits and naked dressing
  • The Little Sister review – a discerning drama of queer Muslim coming-of-age
  • Jeremy Irons is perfectly cast as the sea – but who should play the clouds?
  • Kristen Stewart says Donald Trump’s effect on the film industry is ‘terrifying’
  • New ‘historically accurate’ digital replica will allow films to be set within Auschwitz
  • Charles Strouse, Tony award-winning composer of Annie, dies aged 96
  • James Gunn’s new Superman is more human than alien god – but can he still inspire awe?
  • Show me the tummy! Tom Cruise doesn’t need sleep, help or clothes in Mission: Impossible
  • ‘Men run away from vulnerability’: The Weeknd on blinding success, panic attacks and why The Idol was ‘half-baked’
  • Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video
  • How the world of work has lured Barbie out of high heels
  • Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality
  • Morris the alligator, known for Happy Gilmore and other films, dies around age 80
  • The 20 best US remakes of foreign language films – ranked!
  • Joe Don Baker, tough-guy actor from Walking Tall and Bond films, dies aged 89
  • ‘We have to stop what’s going on, it’s insane’: Robert De Niro on battling age, apathy and Trump
  • Ukrainian director Sergei Loznitsa decries ‘nightmare’ of Putin-Trump alliance
  • Two Prosecutors review – a petrifying portrait of Stalinist insurrection
  • Mission: Impossible – The Final Reckoning review – world-saving Tom Cruise signs off with wildly entertaining adventure
  • ‘We need to do something’: the company releasing Palestinian films no one else will

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