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‘Have you heard of this BDSM trend?’ What I learned recording thousands of hours of teens on their phones

When documentary-maker Lauren Greenfield immersed herself in the online and offline lives of 25 teenagers, she unearthed a world of sexually explicit images, rape culture, bullying and suicidal ideation. Adolescence, she says, has become like the wild west

Disney and Universal sue AI image creator Midjourney, alleging copyright infringement

Studios accuse AI firm of ‘piracy’ and seek injunction over alleged use of copyrighted characters

Unstoppable force loses battle with immovable object: Elon bows to Trump

Four days into a public feud between the world’s most powerful person and the world’s richest person, I declare Musk the loser

AI plundering scripts poses ‘direct threat’ to UK screen sector, says BFI

Film institute’s report raises fears AI will eliminate junior roles in film, TV, video game and special effects industries

Luca Guadagnino set to direct fact-based drama about OpenAI

Challengers director in talks to direct Artificial, film based on behind-the-scenes 2023 drama involving Sam Altman

Video stars: the booming VJ scene localising Hollywood films for Ugandans

Part-interpreters, part-comedians, video jockeys translate and contextualise western movies for audiences at home

‘Nobody wants a robot to read them a story!’ The creatives and academics rejecting AI – at work and at home

Is artificial intelligence coming for everyone’s jobs? Not if this lot have anything to do with it

WTF with Marc Maron is ending. Here are five of the podcast’s best interviews

After nearly 16 years the veteran standup comic is calling time on the show that redefined podcasting

Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’

The actor, who was speaking on The Louis Theroux Podcast, also cast new light on his meeting with former Syrian president Bashar al-Assad, and had harsh comments on both Donald Trump and Elon Musk

Seeking Mavis Beacon review – tracking a Black female tech icon, who didn’t exist

Documentary investigates the whereabouts of the model who played an influential corporate character, as well as the relationship between race and technology

US media stocks slide on Wall Street after Trump threatens movie tariffs

Netflix, Amazon, Warner Bros Discovery and Paramount shares fall as studios reel from announcement

Cloud review – bizarre internet action thriller descends into hail of bullets

Kiyoshi Kurosawa’s baffling crime farrago follows a cyber fraudster pursued by an angry gang of disappointed shoppers

Private Footage review – found-footage study of apartheid takes the split-screen route

Director Janaína Nagata places her own internet research into South African history side by side with the vintage 16mm home movie footage that inspired it

Which celebrities are lying about their height? This website’s done the research

On Celebheights.com, thousands of users measure the statures of the rich and famous. The methods are scientific and the debates are fiery

David Cronenberg says Brutalist AI controversy was a ‘campaign against’ the film by rival Oscar nominees

The director was discussing the row over Adrien Brody’s AI-enhanced Hungarian accent, saying ‘we mess with actors’ voices all the time’

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  • Little Trouble Girls review – monstrous choirmaster spikes a sublime Catholic coming-of-age tale
  • Concessions review – moviegoer melancholy for Michael Madsen’s final film
  • The Memory Blocks review – playful and purposeful exploration of developmental disorders
  • Beast of War review – a gung-ho second world war movie, with a great white twist
  • From cosmopolitans to vibrators, the cultural heft of Sex and the City
  • Royal Philharmonic Orchestra/Hisaishi review – frothing strings and quacking brass as Studio Ghibli’s composer debuts
  • Post your questions for Ridley Scott
  • ‘Kept fighting despite the odds’: the Russian journalists who risked everything to report the truth
  • The Surfer to Night Always Comes: the seven best films to watch on TV this week
  • ‘We’re in a healthy relationship!’ Alison Brie and Dave Franco on gruesome body horror Together
  • Night Always Comes review – Vanessa Kirby gets lost in poverty thriller
  • Hit horror Weapons doesn’t have a deeper meaning but that’s OK
  • ‘We thought with The Crown: “Is anyone going to watch this?”’ director Benjamin Caron on risk, realism – and royalty
  • Sinéad O’Connor biopic in the works produced by company behind Slow Horses
  • Frank Grimes obituary
  • Cheer up, Ice Cube, your War of the Worlds movie may be really bad, but it’s not worthless
  • ‘An ear for truth and love for the human’: tributes paid to film critic David Stratton
  • The heart triumphs over all things: why ‘anti-capitalist romcom’ Materialists isn’t just a fantasy
  • I feel 32, Leonardo DiCaprio says of turning 50
  • Jason Bourne is coming back – but what do we want from him this time?
  • Every cinephile in Australia wanted to be David Stratton. His passion was infectious – and his legacy lives on
  • Nobody 2 review – Bob Odenkirk’s suburban tough guy beats action sequel into submission
  • Can’t pay, won’t pay: impoverished streaming services are driving viewers back to piracy
  • David Stratton, legendary film critic who championed Australian and international cinema – obituary
  • David Stratton, esteemed Australian film critic, dies aged 85
  • TV tonight: a heart-racing series following RNLI rescue missions
  • UK cinemas to host KPop Demon Hunters sing-alongs
  • Lorna Raver, actor from Drag Me to Hell, dies at 81
  • ‘Death always feels imminent’: a moving Netflix documentary on prison, music and forgiveness
  • ‘I don’t touch my phone. At home, I’d be scrolling’: why young people are flocking to independent cinemas

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