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‘They wanted to attack me’: Aurore Clément on violent premieres and smuggling bananas for Brando

As the film that caused havoc at its Paris premiere resurfaces, the great French actor looks back on an extraordinary career, from the furore of Meetings With Anna to the meltdown of Apocalypse Now

Ari review – a French primary teacher flunks out in daydreaming misfire

The promising French director Leonore Serraille delivers a dud with this undercooked story of a selfish drifter who was once a talented educator and now can’t teach for toffee

Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles review – sex, secrets and the unbearable silence of loneliness

A 50th-anniversary release for Chantal Akerman’s meticulous masterpiece, voted the best film of all time by Sight and Sound

Shanghai Blues review – delirious screwball comedy from Hong Kong’s Spielberg

Tsui Hark’s classic tale of love and mistaken identity, with plentiful helpings of farce and wackiness, has been restored for its 40th anniversary

By the Stream review – gentle college comedy of manners from Hong Sang-soo

The Korean director applies his languid style to the tale of a college campus coping with the arrival of a famous visitor

The Tasting review – French midlife romcom takes its leads guzzling fine wines

Easygoing tale has Hortense meet Jacques while buying a bottle at his shop, but the real star is the picturesque setting of Troyes

Architecton review – poetic study of humankind’s bricks-and-mortar impact on the Earth

Victor Kossakovsky’s follow-up to Gunda is a gorgeously shot reverie about our use of materials such as stone and concrete

It’s Raining Men review – Laure Calamy adultery comedy puts the heat in cheat

Call My Agent! star brings her light comic touch to a flimsy, sugary but sometimes oddly daring French romcom

Rocco and His Brothers review – Luchino Visconti’s operatically magnificent family epic

Alain Delon is coltishly beautiful in this compelling 1960s tale of homesickness, aspiration, anguish and rage

Diabel review – canine sidekick along for ride as dour war veteran biffs bad guys

A Polish ex-soldier returns to his home town and takes on local gangsters in an exhausting barrage of violence in humourless action film

How to Make Millions Before Grandma Dies review – tear-jerking Oscar contender from Thailand

A dropout’s burgeoning affection for his gran makes him rethink his plan of benefiting from her fortune in a shamelessly sentimental crowd-pleaser

And the 2024 Braddies go to … Peter Bradshaw’s film picks of the year

Now the Guardian’s Top 50 countdown, as voted for by the whole film team, has announced its No 1, here are our chief critic’s personal choices, in no particular order

How to Make Millions Before Grandma Dies review – sad but sweet Thai inheritance tale

The premise – a young man cosies up to his grandmother for the sake of her will – sounds cynical, but this is actually a tear-jerker with an important point

The Universal Theory review – beautiful, wigged-out German multiverse mystery

Gorgeous images and a lush score intrigue in Timm Kröger’s 60s-set noir thriller about a postgrad student’s alpine adventures

Sujo review – slow-burning Mexican drug cartel drama

A young man struggles to escape his bloody birthright in Astrid Rondero and Fernanda Valadez’s elegant Sundance winner

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  • Ariana Grande to join original cast in Meet the Parents sequel
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  • Post your questions for Gina Gershon
  • Mountainhead to See How They Run: the seven best films to watch on TV this week
  • Walk on the wild side: Gillian Anderson and Jason Isaacs on their epic hiking movie The Salt Path
  • ‘A cynical ploy to hold power’: how the US right has exploited racial division
  • More than 400 personal effects owned by David Lynch put up for auction
  • Post your questions for Rebel Wilson
  • Oscars, eyebrows and accents: Anjelica Huston’s best roles – ranked!
  • The Ritual review – Al Pacino is priestly mastermind in tale of infamous real-life exorcism
  • Darling review – Julie Christie’s romantic satire of swinging 60s has a terrific punch
  • Along Came Love review – l’amour, loss and lingering shame in eventful French relationship movie
  • ‘Space travel is queer’: the unstoppable film-maker skewering Bezos and Musk’s macho fantasies
  • Karate Kid: Legends review – charming throwback sequel
  • Bring Her Back review – Talk to Me directors return with a film you’ll watch from between your fingers
  • Impossibly frustrating: why Mission: Impossible 8 was a major letdown
  • The Ballad of Wallis Island review – funny, melancholy yarn of a folk duo reunited by oddball superfan
  • The Salt Path review – Gillian Anderson and Jason Isaacs hike from ruin to renewal
  • The North review – old friends’ trek through the Highlands might be the ultimate hiking film
  • Vampire Hunter D review – head-popping visuals offset very pre-MeToo erotic anime
  • TV tonight: the extraordinary story of the baroness and the Covid scandal
  • Kevin Costner and Horizon producers sued by stunt performer over ‘violent unscripted’ rape scene
  • Letitia Wright describes ‘huge burden’ of representation on black artists
  • Sudden Fear: the 1952 noir that cemented Joan Crawford’s star – again
  • ‘It’s very risky’: the Philippou brothers on horror films, back yard wrestling and knocking back Hollywood
  • From legal issues to reshoots: is the Michael Jackson biopic cursed?
  • Autumn review – amazing landscape plays central role in Portuguese wine-family drama
  • The Venus Effect review – a sizzling queer romcom without the cliches

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